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London, 2003: 2:501-502, no. John Constable and the theory of landscape painting. Cambridge, 2004: 158, 159, repro. Rembrandt, Reputation, and the Practice of Connoisseurship. Edited by Michiel Roscam Abbing. Leiden, 2006: 1:74-84, fig. Edited by Christiaan Vogelaar and Gregor J. Cultivating Picturacy: Visual Art and Verbal Interventions.

Waco, Texas, 2006: 143, fig. Only in America: One Hundred Paintings in American Museums Unmatched in European Collections. Milan, 2006: 18, color fig. New York, 2006: 242, 243, repro. Turner and the Masters. Tate Britain, London; Galeries nationales du Grand Palais, Paris; Museo Nacional del Prado, Madrid. New York, 2009: no. Jacob van Ruisdael: Windmills and Water Mills. Los Angeles, 2011: 4, 7, 98 n. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience.

Chicago and London, 2013: 229-235, 237, 238, 240, 245-250, 541 n. Rembrandt: The Late Glucotrol (Glipizide)- Multum. National Gallery, London; Rijksmuseum, Amsterdam. London, 2014: 293 fig. National Galleries of Scotland, Posay roche effaclar, 2018: 81, 126-127, no.

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